2020-03-31

Linguisitic theories of humor, 1

This series of blog posts will attempt to distill parts of the following articles on humor theory into something interesting and intelligible to someone like me without a degree in English. No joke, it's harder than you might think to abstractly explain humor, from the perspective of a linguist (which I'm not). This part will discuss superiority theory.

Here are the references we'll use:

[A05] A. Abdalian, Why’s that funny? An extension to the semantic theory of humor, Swathmore College, Linguistics Dept thesis, 2005. 32pp.
[H92] C. Holcomb, Nodal humor in comic narrative: a semantic analysis of two stories by Twain and Wodehouse, Humor: International Journal of Humor and Research 5 (1992)233-250.
[K06] A. Krikmann, Contemporary linguistic theories of humour, Folklore 33(2006)27-58.
[C22] L. Cooper, An Aristotelian Theory of Comedy: with an adaptation of the Poetics and a translation of the Tractatus Coislinianus
Harcourt, Brace and Co., New York, 1922.
[R79] V. Raskin, Semantic mechanics of humor, Proceedings of the Fifth Annual Meeting of the Berkeley Linguistics Society (1979), pp. 325-335.
(In 1985, Raskin published a book of the same title, which I’ve not read.)


Another good reference for this topic is wikipedia’s Theories of Humor.

At some level, (verbal) humor involves an unusual interpretation of the meaning of a conversational communication. A joke is a non-bona-fide humorous verbal communication, where by bona-fide we mean a communication with usual, information-bearing, serious, sincere meaning. The mental state in which we humans give meaning to something is referred to as propositional attitude. For example, if I claimed "my dog can paint my house," you would know that is false. Not because you are an expert on dogs (and if you are, assume for this example you aren't), nor because you are an expert on painting houses (again, if you are, assume for this example you aren't), but because you have enough of a familiarity with dogs and a familiarity with house painting that you "know" my claim is false. The idea we will take in these posts is that generally get by in our day-to-day lives by using out propositional attitudes towards things, as opposed to insisting on careful scientific, logical reasoning. Careful reasoning takes time and effort, while propositional attitudes are often based on commonly accepted (possibly mistaken) attitudes.

What does John Cleese say?
One of the funniest people ever, John Cleese has given a number of talks on creativity and has emphasized the importance of humor in this regard. He says to be creative you need:
  1. Space
    You can't become playful, and therefore creative, if you're under your usual pressures.
  2. Time
    It's not enough to create space; you have to create your space for a specific period of time.
  3. More Time
    Giving your mind as long as possible to come up with something original, and learning to tolerate the discomfort of pondering time and indecision.
  4. Confidence
    Nothing will stop you being creative so effectively as the fear of making a mistake.
  5. Humor
    The main evolutionary significance of humor is that it gets us from the closed mode to the open mode quicker than anything else.
Creativity is not a talent. It is a way of operating.

What does Aristotle say?
The known parts of Aristotle’s Poetics discusses a theory of drama, at least of tragedy. (Only tangentially related to the current topic, and worthy of a separate post, is the conjecture that Aristotle wrote a "lost" volume of the Poetics on comedy - see Cooper [C22].) Aristotle introduced the Superiority Theory of humor. Very roughly speaking, the idea is that each joke has a “winner” and a “loser” and we laugh at the loser to feel better about ourselves. This theory of humor explains those (sometimes offensive) jokes pointed against some person or group, typically on political, ethnic or gender grounds [K06].

Example 1:
Woman A: Who was that gentleman I saw you with last night?
Woman B: That was no gentleman, that was my husband.
- old vaudeville routine (with a gender reversal)
In this case, the theory says the husband is the "loser." By laughing at him we experience joy because we feel superior.

Example 2:
Wife: I'd like to go somewhere I've never been before.
Husband: Try the kitchen.
- Henny Youngman
In this case, the wife is the "loser."

Some [A05] believe that Aristotle’s commentary also foreshadowed Incongruity Theory (developed in the 1700s and discussed in a later post) and Release of Tension Theory (developed by Freud in the early 1900s and discussed in section 1.2 of Abdalian [A05]). Related to both Release of Tension Theory and Superiority Theory is Koestler's theory of comedy (for example, Krikmann [K06] discusses this). These three theories can be categorized as "psychological theories". One weakness of the Superiority Theory is that it's too general and vague for predictive purposes [A05]. For example, it doesn’t help to tell us which jokes are funnier than others or why. This is one motivation for exploring other theories of humor.

2020-03-24

Phobos (short story 7)

This is similar to a short story "Aboard the Relief" I wrote about 8 years ago. Like it, this story is inspired by Anton Chekov's “Gusev”, but this is more of a scifi morality tale on over-privatization.

Phobos

There's no day or night in the Phobos Infirmary, a privatized hospital servicing wounded warriors returning home from overseas. They’re deep underground, off the grid.

“These pre-fab structures are cheap. One day we’ll all die when the ceilings collapse,” a heavily medicated patient says. She was a wounded soldier the others called D, named for her bunk designation.

A group of soldiers at a rusty old table play cards. A fidgety one asks, “We’re on a spaceship in the vacuum of space. How would a vacuum implode?” He dresses himself in layers of dirty rags and everyone knows he’s not quite right in the head. Most ignored him, but D always tries to be nice to everyone. “We’re underground, N, not in space,” D says gently.

“The ceilings collapsed on me in Camp Enterprise, but that was from an earthquake tremor,” says Y, holding his broken arm gingerly.

“Make your bets,” J says. She’s the dealer. Big and sweaty, she never takes guff from anyone.

Y tosses two credits on the empty bunk serving as a card table. The other players ante up and play their hand. In the end, Y loses his hand and says “I’m out.” Y leaves to lie on his bunk. N also gives up. “I’m tired now.” He puts his cards down and leaves to lie on his bunk. J gathers N’s and Y’s cards, and shuffles them with the others.

“A yeoman from the Winnefeld told me they had hit a huge asteroid and knocked a hole in her side.” N says. Everyone but D ignores him. D just looks over at him, more out of concern than to acknowledge the statement. An older soldier the other patients knew as S watched them silently. N raised himself a little in his bunk and said in a whisper, “Can you hear me, Mom? A soldier told me that their ship ran into an enormous asteroid and knocked a hole in her side.” S is motionless, as if she had not heard. And once more there is silence on the ward.

The ward’s fans pulsed a heartbeat hum that their ears were long accustomed. Except for that, everything’s wrapped in sleep and silence. The three patients who had played cards for hours had quit and are now lying in their bunks falling sleep.

“The AC has broken . . . ” says N, wiping his brow. This time S coughs and answers irritably: “You talk of a ship colliding with an asteroid,” she paused for a breath, “and now you say the AC is broken? Do you believe everything people say?”

“That’s what people say.” N can’t see anything to be angry about. What's wrong with his story about the rock or in his saying that the AC had broken? He presses the plunger on his packet of pain meds. He knows it's empty but does it in the hope it will make him feel better anyway. N thinks for a long time of a rock growing as big as a planet, crashing into another planet, then that planet crashing into an even bigger planet, ad infinitum. Then he daydreams of his birthplace, where he returned after five years of service. He remembers the great ocean whose shore was covered with fresh snow. On the coast of the ocean was his small town. From the fifth house down the street facing the sea came his brother Blue in a snow- runner; behind him sat N’s little nieces Violet, in large felt boots, and Aqua, in bright plastic boots. Blue is smiling happily while driving through the newly fallen snow. Violet laughs, and Aqua’s face is hidden - she is well wrapped up. “The children will catch cold ...” N says under his breath, smiling.

S coughs loudly. breaking the thread of N’s thoughts. Instead of the sea, suddenly he saw his young mother seated, reading to him as a little boy while he played with his childhood toy trains and the train went round and round by themselves. He's glad he saw his nieces. “I saw them, Mother!” he mutters, and opens his eyes. Seeing his sick mother asleep in her bunk, feels around in the darkness for water. His stomach hurts. He drinks and then lays down again. Once more he sees the trains, its billowing black smoke, clouds of it, going around in circles.

Suddenly S speaks up. “I’ll tell you a story that will make you laugh.” She took a few breaths and then said to anyone who would listen: “Do you know how naive I am?” N looks at his mom. “Complain - you are a bitch, squashed like a bug. I am afraid of nothing and fear nobody, but I’m so naive, it’s funny. For me to think my complaints will make a difference is quite a laugh.”

“No, it’s not funny,” N said softly, almost to himself.

“What happened to you?” T asks S. But S tires easily and needs to take a few breaths. “Yes, S, tell us what happened” says V. Then S coughs and simply says, “When I die, there will be no one to stand up to the injustice.” She collapses back on her bunk, exhausted. N stopped listening to her. He knows she'll never tell them what happened.

*

Through the darkness T slowly to distinguishes the patient in the bunk S. He sees her sleeping in a sitting position, for if she lay down she couldn't breathe. Her skin was grey and clammy, but her features were striking, once beautiful. She's losing strength through her illness and the suffocating heat. She breathes heavily and sometimes mutters to herself. When she notices her son looking at her, she turns toward him and says in a hoarse whisper: “Are you now beginning to understand? . . . Forget the past . . . Try to understand the here and now.”

“Understand what?” N asks, too weak to try to argue.

“Why we, instead of being kept in a proper hospital, should be here, where the heat is stifling, and stinking. Now it is all clear to me. Do you see it? There's nothing broken. They turned up this heat intentionally. The doctors ordered us here to get rid of us. They got tired of all the trouble we gave them. You are no good to them; no longer being of the warrior class. You only give a lot of trouble, but you are just cattle, and there is no difficulty in getting rid of cattle,” she says with conviction. She paused to take a few breaths and said, “They have no conscience and no humanity.”

“The officers will find out,” N argues. “They will save us.”

“They won’t. A few sick enlisteds won’t be noticed.”

N can’t make out what his mother's talking about. “I’m not that sick - it’s just that I caught a chill.”

“They are banking on the fact that you can’t last. . . . And that’s all the return you get for faithful service?” S looks very angry, and summons the energy to say “How they treat you – why isn’t there a public outcry?”

Silence falls on everyone. It's so hot, N can hardly breathe. He wants a drink, but the water is too warm and oily. Once more N dreams of the icy sea, the snowy village. Violet laughs, and that fool of a little girl Aqua opens her fur coat, and stretches out her feet. “Look,” she says, “my felt boots are new.” “You’re almost six years old and still you has no sense!” says N. “Instead of showing your boots off, why don’t you bring some water to your uncle? If you do, I’ll give you a present.” Then comes Blue, with his hunting rifle on his shoulder, and there's the train and the black smoke . . . .

Suddenly, something strange happens to the soldier playing cards they call P. P calls “ace of diamonds,” drops his cards, then lurches and looks round with empty eyes. “In a moment,” P says and collapses onto the floor. They're at a loss. T shouts at P but he makes no reply. “Are you okay?” asks T. “Perhaps we’d better call the doctor, eh? Drink some water, P. Here, have a sip.”

“What’s the use?” shouts N angrily. “Don’t you see?”

“What?” says T.

“What?!” cries N. “He’s dead, that’s what! Don’t you see?”

*

J and some other soldiers drag P to a distant corner where the med techs will collect him. Then they begin to play cards again. S is propped up in her bunk watching, and some others squat uncomfortably on the floor. Y has his right arm in a sling and his wrist tightly bandaged so that he had to hold the cards in his left hand or in the crook of his elbow.

“Tell me about being a cook,” S says to N.

“You get up in the morning, plan the meals for the day, make sure there’s plenty of coffee and eggs for breakfast, and then there is nothing to do until lunch. I could pray or read books. It was a good life,” N says.

“Plan meals? Plans don’t matter,” S snaps.

“If you follow orders then no one harms you. For five years now I’ve never been in the brig and I’ve only been to court once.”


“What was that for?” Seven asks, not looking up from his cards.

“Fighting. The contractors started it. I defended myself and the court ruled self-defense.”

She wanted to say something but S is completely exhausted and has to shut her eyes. Her head falls back and then flops forward onto her chest. She tries to lie down, but in vain, because she can't breathe. “And why did you go for them?” S asks finally.

“I told you they started it,” N snaps. First, T looks at N. He never takes that tone with his mom. Maybe, they wonder, there's something wrong with him. Then T looks at S and sees a tear run down her cheek before she turns way.

N sips some warm water and thought of his fight in the kitchen that day with the contractors. He was good with knives so when he was appointed as cook, he remembers thinking that it was somehow appropriate. He remembers he hadn't panicked when he was first cut but to focus on the fight. He gave worst than he got, and he dozed off remembering how his knife blade stayed sharp and never broke and how the handle never slipped in his hand despite all the blood. Finally, S falls asleep and so does N, and it seems that all the world was asleep.

Two days pass. Now, S no longer sat up, but lay full length; her eyes are closed and her face seems thinner than ever.

“Mother!” calls N. With all her strength, S opens her eyes and moves her lips. “Are you okay?” he asks. “It’s nothing,” answers S, breathing heavily and looking away. “It’s better now. I’m much better. You see I can lie down now. If you see Blue and his girls, tell them I’m okay and not to worry.”

The patient’s ward was still stifling and hot. It was not only hard to speak but even hard to concentrate enough to listen. So N clasps his knees, leans his head on them and dreams of Blue and himself as children playing in the snow. He's driving a snow-runner, with Blue behind him, riding fast and Blue's yelling to slow down but N knows he he didn’t really mean it. The cold wind slaps you in the face, freezes your nose and cuts your hands. The clumps of snow fall down your neck. Smiling, N laughs out loud thinking of the time when Blue ran hard into a snow-drift, getting snow on his face! A long time passes on the ward in silence, but N notices nothing as he sits dreaming of the snow.


*


He hears someone coming into the ward, and some voices, but five minutes pass and all was still.

“May she rest in peace!” says T. “She was a tough woman.”

“What?” asks N.

“She’s dead. She has just been taken upstairs. She suffered much. She deserved to die in a better place, but at least her suffering is over now.”

N tries to sit up in his bunk but fell back, exhausted. T sits down on N’s bunk and says in a soft tone: “You won’t live much longer either.”

“Did the doctor tell you that?” asks N.

“No one told me, but I can see it. You can always tell when a man is going to die soon. I’m not saying this to make you feel bad, but if you have any possessions, you had better give it to the senior med tech.”

“I have not written my brother back home,” says N. “I shall die and he will never know about mother.”

“Your family will know,” says T. “When you die they will report your cause of death to your nearest family member and they will give your effects, and those of your mother’s, to Army headquarters, and then they will send them to your family.”

This conversation only serves to make N unhappy. He alreadt knew what the procedures were. He drinks oily, warm water and sucked in a breath of the hot air. He tries to think of his home and the snow, but can't summon the memories. He's too sad and tired.

“They are going to bury your mom on the surface,” says T.

“Yes. That’s the way they do it.”

“There is no love here, underground,” says T.

“On the surface the family can go to the grave and weep over it, I guess,” says N.

“Aren’t you afraid to die too?” asks T.

“Yes. I have a brother at home, and his family, and I will miss them. But I am very tired now, just let me sleep a little bit,” N says. N lays down in his bunk and he he falls into a deep sleep.

After some time passes, two med tech come down and carry his body out of the ward. N is placed in a capsule, which looks like a casket, rectangular and black. Round him stands T and D, both at attention, saluting the casket. “May he rest in peace, always, now and forever,” says D.

The two med techs wheel his capsule into an elevator, press a button and the elevator doors close and N travels up many floors, far away from the Phobos. Soon his capsule joins his mother’s and together they are buried in the snow, not far from a small town on the coast of a beautiful, cold ocean. Back to where he was born.

2020-03-18

Simple Simon (short story 6)

Over a year ago, as an exercise, I started writing one short story a week. This was something Harlan Ellison (I think) suggested to one of his fans, his reasoning being "You can't write 52 bad short stories in a row." I'm not sure about that, but here's one of those stories.
*

Simon, is a 10 year old autistic boy, neither high-functioning on the autism spectrum, nor low. Some doctors think his condition is due to a virus he caught as a baby, some think it's genetic. What they all agree on is that Simon has good days and bad days. And another thing, Simon loves his single mom Sonia and his uncle Jackson, but not more than he loves animals. He loves animals of all kinds: snakes and fishes and cats and frogs. We'll get to all that in time. Let's start the story with the sunny day that Simon and his mom decide to visit Jackson.

Jackson is a monk who lives a very quiet life of prayer and reflection. One day he has a profound transformation, becoming enlightened in the way he most desires. Some do not believe him, not trusting his stories. This is the story of how he deals with these issues of distrust and of his vows and of all the things which disturb his life of quiet. Brother Jackson has been a Brother in the Order of the Trappist Monks for several years. He's built up some friendships (as constrained by the Order) and is attracted to a nurse in the local town who he sees when a medical condition flairs up. He's prayed and studied hard, but still has worried if this is his true calling. He seeks enlightenment but at what cost?

Sonia and Simon arrive at the Abbey. Jackson and his Abbott greet them in the parking lot. Jackson asks his Abbott's permission to walk the grounds of the Abbey, with its beautiful gardens. The permission is granted but the Abbott insists that he obey the rules of the garden. As they start on their walk, Sonia asks if she can run an errand to the local town for some meds for the boy, noting that the boy is often very hard to shop with. So Jackson and Simon, who seems very well-behaved this day, walk alone. Jackson knows Simon loves animals passionately. He knows Simon's favorite TV shows and movies are about animals, his favorite food is animal crackers, he has a chess set with animals for the pieces, and so on. They pass a fenced in enclosure with a very beautiful tree. A number of animals live in the tree - birds, squirrels, etc - which Simon is fascinated by. Jackson knows, based on his Abbott's warnings, not to enter the enclosure, so tries to move the boy along. Jackson tries to interest the boy in other aspects of the gardens, the beautiful flowers, and those sorts of things.

It seems the boy is interested and Jackson waxes poetically about how nature is a reflection and illustration of God's wonderful creations. But when Jackson turns around, he discovers Simon has disappeared. Jackson panics a bit and discretely calls for him, but soon finds him in the "forbidden tree." Strangely, while helping Simon down Jackson notices that the boy seems less antsy, more serene. When he places the boy down at the base of the tree, he notices Simon has a stone in his hand. Taking it from him, Jackson asks "Where did you get this?"

Simon simply points up to the mystical tree, and Jackson looks at the stone, noticing the change in how it makes him feel as he holds it in his hand. Jackson also now feels more serene and somehow very different, holding the stone. He looks at the boy wondering, and Simon smiles at him enigmatically. Jackson decides to present the stone to the Abbott. When he does, later that day, the Abbott asks him to place it in a box, and does not wish to touch it. The Abbott explains that the "magic" (his words) stone was blessed by the mystic saint who founded the Abbey many years ago. It was not to be touched again. In that one instance, both Jackson and Simon were transformed. They gained some sort of supernatural ability on what they were most passionate about - animals for Simon and "human enlightenment", or whatever you want to call it, for Jackson.


***

Later that day, Simon and his mother Sonia leave the Abbey and return home to Louisiana. The next morning, Simon wanders off into a nearby swamp and disappears. Sonia is beside herself and calls the police. Twenty-four hours later, man-hunt is undertaken to find him. The missing boy has hit the local news and then the national news. The governor of Louisiana asks the Coast Guard and National Guard to help. The send in choppers with heat-detecting scopes. In a matter of hours, they've tracked what they think is the boy in the swamp. The news anchors rejoice at the news. A Coast Guard CommTech says she thinks she sees large swamp gators surrounding the boy. Forces are placed on high alert to save the boy.

The choppers and speedboats race to the scene where the boy was spotted, back to the CommTech who slowly realizes something. Though no one seems to listen she tries to tell everyone the gators surrounding the boy were facing away from Simon. The CommTech tells her superiors they're protecting him. As the boats and choppers arrive, the gators slip away, allowing the rescuers to approach and "save" him. On landing, EMTs surround the boy, checking his vitals, looking for medical issues. There were none, Simon just wants animal crackers. His favorite.

2020-03-13

Vicious Circle (short story 5)

Inspired by A. Chekov's Perpetuum Mobile


An elderly government physician Lee Bevers, who had entered the civil service even before World War 3, and XKV, his emotibot who had taken a melancholy turn, are on their way to an autopsy. They're cruising at low altitude along a scenic route to their next appointment. Even with enhanced night-vision, the moon-lit winter night casts dark shadows and the blue snow was gently swirling down.
On the snow planet, Alderan-Taygeta.
Licenced CC SA 3.0 (screen grab from Sintel by flickr's Futurilla


“It’s vile, this planet!” Bevers says. “There’s no civilization, ‘bots everywhere you turn, and nothing but fowl weather! To think that this is a United Worlds territory. The snow ... the snow! As though it were being paid to pour on us. Go faster XKV or I’ll scrap you for parts, you giant tin can!”

A ‘bot craft flew by them going in the opposite direction. XKV beeped at them in a friendly way. “I am programmed to mimic emotions, but I do not feel this weather as you do. I do feel a sense of dread, as though we or someone close to us may die at any time,” the ‘bot says.

“You ought to be feeling ashamed, talking like an old woman, that’s the way you should feel. Get us out of this weather. I can’t go on with this snow. Who lives on this rock that we know?”

“Searching data-banks ... connecting ... please wait ... searching ... Martin Bell.”

“Martin, that old bastard! I haven’t visited him in a long time. Head for Bell’s place.’

“Recomputing trajectory ...”

They banked and then flew over frozen ice-covered hills and thick monsterous forests and deep raging rivers.

Frozen ice-covered hills on Alderan-Taygeta.
Licenced CC SA, by flickr's Futurilla


They landed in a large courtyard of Judge Bell’s estate. The light posts turn on automatically as their craft set down. “He’s in!” Bevers said, climbing down to look in the brightly lit windows of the house of Martin Bell, judge of the district court of the Interplanetary Judicial System. “This is a change for the better. We’ll get some good hot food, you can run a circuit diagnostic while you recharge and I can get a decent night’s sleep. For a worthless fellow, Bell’s friendly enough, you have to admit. Don’t record that.”

“Deleting ...”

“Transmit a greeting to Bell,” Bevers says. XKV emits some beeps.

They walked up to the entrance and XKV emits some beeps. The doorway lit up and beeped back. In a moment, it opened and Bell himself greeted them. He was a thin, wrinkly old man with a short white beard and a balding head. “Hello, Lee. I was happy to get your message. It was surprisingly flattering of you,” Bell says. Bevers squints questioningly at XKV. “Come in," Bell says, waving them forward.

Bevers and XKV entered the huge entrance hall. There were marble floors and balconies on either side.

Bell's estate on Alderan-Taygeta.
modified from a photo by A. Milligan, licenced CC by 2.0


"You’ve come at the right moment, as we are just starting dinner. We’re having Fennebian steak, imported from Ancius-Alcyon. My daughter Maddie is here. Did you hear she lost her husband in a airbot crash recently?”

“I’m sorry to hear that,” Bevers said.

“Also, Assistant District Councillor Louston is here. He’s come out to make sure I’m be in court tomorrow,” Bell said. “The docket has been backed up for the past month.”

Bevers and XKV entered the dining hall. A large table is set with apetizers, wines and ales. Also at the table is the judge’s sad-eyed daughter Madeline, mourning in a dark dress. Next to her sits Louston, a young man from the other side of Alderan-Taygeta with blue whiskers and thick viens in his neck.

“Maddie, are you acquinted with my old friend Dr. Bevers? Lee, this is my daughter and this is Councillor Louston.”

The young woman gifts Bevers with a faint smile, but with sad eyes. She extends her hand to Bevers.

“As you are freshly arrived,” Bell said, pouring two drinks for Bevers, “you have some catching up to do! To our health!” They downed their glasses and Bevers attacked the steak. XKV asked to be excused to recharge batteries and run diagnostic tests on its circuitry. Bell poured more glasses. “The glasses are waiting! Doctor! Let us drink to medicine, and the power to keep us feeling young!”

Bevers and Madeline moved to the other room with their drinks. They all fell into conversation, except the Councillor. It was obvious he did not think highly of Bevers, who cheered up Madeline by playing a simple piano tune.

“You are on your way to an autopsy?” she asked. “To dissect a dead body? What courage that must take. I admire men with courage. I am afraid of flying, especially after my husband’s crash. He was very brave, may he rest in peace.”

“So sad,” Bevers said, distracted.

“Doctor, is something bothering you?” she asked.

“Call me Lee. I don’t like this weather. My emotibot XKV feels a sense a dread, as though a loved one would die.”

“Are you married? Do you have any children?”

“I have no one. XKV is my only friend, if you can call a robot a friend.” “You are lucky to have such a nice emotibot. This dread it reports could just be a malfunction.”

Bevers and the widow finish several bottles of wine while discussing emotibots and other matters of the heart. Bell and his other guests get involved with some sort of multi-player game involving lots of shouting and swearing and eating and drinking. Hours passed as seconds.

Suddenly, Bell realized that time was getting late and he had to be in court the next morning. “What am we doing? In only a few more hours, I’ve got to set off for my court session and here we are drinking and gaming. Maddie, time for sleep. To bed everyone, I declare our party adjourned.”

Madeline wished Bevers a good night. “I have trouble sleeping these nights. The wind knocks against my window, and I miss my husband terribly. You are lucky that you can sleep on a night like this.”

“I can give you something to help you sleep, if you like,” Bevers offers.

“No, thank you doctor, I’ll go read myself to sleep with a good book. If the light from a lamp on the window sill is visible under my door in the hallway, then you will know I’m still awake.”

*

In the room assigned to the doctor and XKV, a large comfortable bed invited Bevers. While XKV reported his diagnostics, Bevers got undressed and slipped under his covers. “The diagnostics report a circuitry problem,” XKV says.

“Fixable?”

“No, a controller board must be replaced. Inventory reports there are several in supply at the home base.”

“Can it wait?” Bevers said, flipping onto his back and belching loudly.

“Yes.”

Bevers squirmed restlessly in his bed and said, “I can’t stop thinking about the widow.”

“That's because you’re drunk,” XKV says.

“She told me she had trouble sleeping and would be awake if I saw her reading light on from under her door. Do you think I should go knock on her door?”

XKV beeps a warning. “No. That’s a stupid idea. I advise against it.”

“You’re a robot, how would you know?”

“I know because I am a robot. You are drunk. Go to sleep.”

Bevers got up and started getting dressed, swearing at XKV as he did so. XKV moved in front of the door, blocking his exit. “What the hell do you think you are going?” Bevers asks.

“I’m not letting you pass. You’re 60. She’s 30. Use your head.”

“I’ll use my fists to smash you into bits, you tin can!”

“Titanium alloy. You will break your knuckles. It’s happened before. If you have forgotten, I can replay the video.”

“Uhmm...”

“3D or 2D?”

“Oh, I remember now. Don’t play the video. Suddenly, I don’t want to stay here any longer. Let’s go home."

They packed up quietly and slipped down the long hallway past the light under Madeline’s door, and out the front door. After dusting off the snow from their craft, they take off. “What about the autopsy?” XKV asks.

“Some other time. I will not feel right until we are home. Do you still have the sense of dread you reported before?”

“Following the diagnostics, I turned off all related emotional sensors. Are you still thinking of the widow?”

“Yes, but when we get home I will be fine. Can you make this go faster?”

“Lovely female shapes are terrible complicators of the difficulties and dangers of this earthly life...”

“Are you running through your database of quotations?” Bevers interrupts.

“Yes, I thought it would make you feel better. That was George du Maurier. Shall I continue?”

“Just shut up.”

XKV whirs a bit and a few of the indicator lights turn off. Several days go by silently during the interplanetary flight. Bevers busies himself by reading, watching videos, and isometric exercises. When they dock at their home base, he directs XKV to go to the repair shop and get his controller card replaced. On return, XKV says “My controller card has been replaced and I now pass all diagnostics. I apologize for any inconvenience my performance caused. I am under warranty and can file a claim on your behalf if you wish.”

“No, thank you XKV, that won’t be necessary.”

“Shall I prepare for the trip to the autopsy?”

“What autopsy?”

“The one you were going to do on the snow planet when my controller card went bad.”

“I completely forgot. Yes, of course.”

They pack and take off again.

“I’m sorry I got so upset and called you a tin can.”

“I was given an upgraded controller board during my repairs. My new circuitry has an improved ability to process irrational emotional outbursts.”

They had a pleasant trip back to the snow planet, and were flying low over an area not far from Bell’s estate.

“I think I see lights over there. What is that? Cruise over and let’s check it out.”
Alien's Alley, a bar on Alderan-Taygeta.
by A. Milligan, licenced CC by 2.0



“Records indicate that is a drinking establishment, Alien's Alley. Recomputing trajectory ... the ship identification system reports Bell’s ship is docked in the area.”

“Bell, that bastard son of an alien, is at that bar down there?” Bevers asks. XKV searches his records and then projects the Alley's menu on the front screen.

“I do believe that’s the bar with the cute barmaid! Let’s get a drink and see what old Bell is up to.” The travelers dock and make their way over to the tavern.

Bell's inside and surprised to see them. “Doctor! Where are you coming from? Where are you heading too this time?” he asks.

“We keep heading out for the same autopsy and we keep having running into problems getting there. It’s a vicious circle,” Bevers says, slapping the cute waitress on her bottom. She's got a gorgeous face and figures, but ams like a spider.

"Do that again and I will rip the skin off your face,'' cute waitress says, holding her hand up at him. Instead of a palm of skin, it's covered with tiny hooks.

“Doctor, let us drink to vicious circles!” Bell says.

They drank and told stories of medicine and law and cute barmaids and vicious circles, or was it vicious barmaids and cute circles?

2020-03-04

The Girl who Loved only Numbers (short story 4)

Over a year ago, as an exercise, I started writing one short story a week. This was something Harlan Ellison (I think) suggested to one of his fans, his reasoning being "You can't write 52 bad short stories in a row." I'm not sure about that, but here's one of those stories.
*

Crowded dance floor, lights tracing arcs across the room, pounding loud electronic dance music. Everyone is dancing but Alice, wearing a black hoodie, loose pants, and tennis shoes, in the center of the dance floor. She’s occasionally jostled by the young energetic dancers around her, but ignores them, zoned out in her own world, letting the sound wash over her like a cleansing shower. She lives with numbers - the beats per minute, the color frequency of each light shining down from the ceiling, the equations of the arcs as the lights move across the dancers, the expected time she waits until she gets another call. With her head covered, no one can even tell she’s female. Alice is 15 but the fake driver’s license in her sweater pouch says she’s 21. In this light it’s impossible to tell if she’s black or white, but does it really matter?

After several minutes her watch buzzes on her wrist. Focused but head down, she pushes through the crowded dance floor to the closest exit.

Alice walks through the rain along the alley outside. She’s on her cell-phone with her friend Matilda. Matilda’s black, pudgy even in baggie clothes, sitting cross-legged in front of a computer. She’s Alice’s best friend. Actually, she’s Alice’s only friend.

“Kaleidoscope made another purchase,” says Matilda.

“Alias Kevin Smithereen?”

“Yes. Delivery is tomorrow. What do we do? ”

“Mattie, we either do something ourselves or we pass it onto Berman.”

“I have a test Friday,” Matilda says.

“You’re always studying for something.” Alice reaches the street. A Lyft pulls up. Alice gets in the back.

“Cops are trained to do this. We’re not,” Matilda argues. She's a little afraid of this one. For good reason.

“This one needs to be taught a lesson,” Alice says.

“I want to pass it on. I can use the anonymous email on the police website.”

“I don’t trust it. I think it logs the IP.”

“I can use one of the emails we created using the burner phone from Virginia.”

“Okay, but use the Texas phone instead. See you in 15.” Alice closes her eyes.

On the 6th floor of the Baltimore police department, Sheriff Berman sits at his desk in the police station. Coffee cups fill the trash, while each desk has a computer, keyboard, telephone, piles of files and papers. He clicks on a newly arrived email. Frowns. Berman quickly pushes things around on his desk until he finds a pad of blank paper. He makes notes on the email.


That night, in a run-down suburban neighborhood, Berman makes his move. Two sedans, one red with a dented back bumper, are parked in front of a house whose old rusted mailbox says “Smithereen.” Berman and his partner, wearing POLICE windbreakers, guide an overweight man in a wife-beater t-shirt to one of the cars.

Matilda is doing high school calculus homework in her living room with Alice. Matilda’s mom Rachel is working in the kitchen preparing an apple pie.

The TV news is on, which the girls pretend to ignore. A TV reporter says: “Alleged child pornographer Kevin Smithereen was arrested last night. Explicit images and video was found on his home computer. Police got information from an anonymous source, who also gave them the password to the computer.” Matilda and Alice trade a quick look at each other as the newscaster moves on to the next news item, then get back to their homework.

“Can I see what you got on problem 13?” Alice asks.

“Sure,” Matilda says, handing a page of mathematical computations to Alice. “Do you see that for problem 13 part (d), you have to use problem 10 part (a)?” Matilda asks. Alice zones out, thinking of Smithereen. “Alice?” Matilda asks. Alice snaps out of it. “Does it ever end, Mattie?”

From the kitchen, Rachel yells upstairs a question, “You girls doing okay?”

“It’s just a long assignment, Mom,” Matilda yells down.

“You girls want a coke?” Rachel asks.

Alice manages a faint smile. “Sure, I’ll get it. I’ll get one for you too, Alice.” Matilda goes to the kitchen, leaving Alice alone, zoned out. She thinks back to the crowded dance floor, light show, pounding loud electronic dance music, oblivious to the jostling in the middle of the floor, surrounded by a huge crowd. Everyone’s dancing but her, the girl in the black hoodie, loose pants, tennis shoes, and spaced-out look. She smiles, feeling the sound wash over her like a cleansing shower.

*

Matilda drove all the way from Baltimore to watch her brother and her 13 year old cousin. She hitched a towing trailer to her car to take both their bike bikes.

When they arrived at the track, Matilde parked in a lot, Manny and Gonzo unhitched the trailer and untied their bikes – Manny’s Hayabusa and Gonzo’s TL1000. While they readied them, Matilde wandered over to a screened-in hamburger stand, ordered a hot dog and coffee, and read a math book while she waited for them to hit the track. The book was the biography or the mathematician Paul Erdos, The Man Who Loved Only Numbers. She was in heaven.

Manny and Gonzo are enrolled in Advanced Racing, at Summit Point Motorsports Park in Summit Point, West Virginia. In the classroom, Wes, the skinny grizzled old instructor, collects the application forms from the students. Sonia, the younger assistant instructor, helps him. “Get those all filled out. I need the date you passed Intermediate Racing,” Wes says. Manny hands his application to Wes, who looks it over. Wes looks at Gonzo. “How old are you, son? You have your parent’s permission?”

“It’s okay.” Manny said. “I’m his uncle.”

“Wes dear, he’s the best rider in the class,” Sonia says.

Gonzo sits expressionless. Wes takes his application form. “Okay, you can stay,” Wes says. “Sonia, did you do their inspections?”

“Yep,” Sonia says. “Gonzo’s bike is good, so is Manny’s. They're the only bike that don't have leaky belly pans.” The others in the class hang their heads. “Okay, class, fix them up," Wes says. "We can’t have oil or gas leaks on the track."

Out on the track, Manny and Gonzo, take a few warm up laps. Slow. They check for loose gravel, especially on turn 4, and to warm the rubber on their tires to make them grippy. If you see any, report loose gravel to the track crew.

Matilde lays a towel down on a grassy observation area known as “the beach”. She settles down with her math book. It’s relatively quiet now but when she hears the approaching whine of the bikes, she puts her book down to look for Gonzo and Manny. It’s not hard to spot them. She knows it will be Gonzo fighting for the lead, with Manny somewhere back in the pack. After they pass, she returns to her reading.

Afterwards, Manny and Gozo get ready to hitch the trailer back to Matilde’s car. Matilde walks up to them. “Nice job you guys,” Matilde says.

“Thanks,” Gonzo says. “Manny beat me through the first two turns, but I caught up with him.”

“Gonzo’s getting faster every time we ride. Get some reading done, Mattie?” Manny asks.

“I did. Anyone hungry?” she asks.

“I don’t like the food here,” Gonzo says.

“While you boys tie the bikes down to the trailer, why don’t I get us some pizza for the drive back?” Matilde asks. Gonzo smiles.

“Sounds good. Before we go, Gonzo’s needs to fill out a registration for an 18-and-under race next month,” Manny says.

“Be back in 15 or 20 minutes,” Matilde says, getting in her car. Manny and Gonzo watch as her car takes the windy road through the trees to the main highway.

“I couldn’t ask for a better aunt,” Gonzo says.

“I couldn’t ask for a better sister,” Manny says.

As Matilde’s car roars out into the highway, they turn back to roping their bikes to the metal loops on the trailer. Then they hear a loud horn and a crash, then another crash. They turn to look and see Matilde’s car has crashed into a semi head-on, and a red sedan with a dented rear bumper zooms off.

“Can you see the license plate on that red car?” Manny asks in a terrified voice.

“It’s too far,” Gonzo says, running faster.

Matilde was side-swiped by the red car, lost control and verged into the lane of the semi. As Manny and Gonzo run through the woods to the crash site, they know she’s dead. The semi may have ended her life, but what killed her the red car with a dented rear bumper.


*


The church is crowded. Matilde had a lot of friends. For example, Alice. They’ve been friends since they we little. All of Matilde’s relatives are there, too. Her mom and dad, and her brother Manny, sit in front.

Alice shuffles up to the dias. “Matilde was my best friend. We laughed at the same quirky things.” Remembering one, Alice smiled. “I’ll tell you a couple of stories to tell you about Matilde.”

Matilde and Alice are 8 years old, playing doll house in Alice’s bedroom. “Your dollhouse has seven rooms. Mine does too,” Matilde says.
“You take Stacie and Ken, I’ll take Barbie,” Alice says. “How many ways can we put the dolls in the house so that your dolls are in the same room and my doll is in a different room?”

“I can put my doll in any of the seven rooms,” Matilde says. “I can put mine in any of the remaining six rooms.”

“That’s forty-two total?”

“Yes, six times seven,” Alice says.


At the dias, Alice dabs her eyes with kleenex. “That was when we were 8 years old. Later, when we were teenagers, we both enjoyed the stories of Douglas Adams. We both loved numbers.”

Matilde and Alice are 14 years old, laying on the floor reading books in Alice’s bedroom. Alice has The Hitchhiker’s Guide to the Galaxy open in front of her. Matilde has So Long, and Thanks for All the Fish.
“What’s the answer to the ultimate question of the universe?” Alice asks. “I give up. What?”
“Forty two.”
“Do you remember that day we were playing dollhouse? You gave me
two dolls and you got one. Then you asked how many ways can we put the dolls in the house so that my dolls are in the same room and your doll is in a different room?” Matilde asks.
“The answer was --”
“Forty-two,” both of them say together. Matilde laughs to hard, Alice starts to laugh as well.


At the dias, Alice wipes her nose with a kleenex. “That’s Mattie for you. I’ll never forget her. I didn’t think this would be so hard.” Alice steps away and, crying now, walks out of the church.

Manny gets up and follows her. It’s dark inside but a nice day outside the church. Alice stands wiping her eyes, getting out earbugs from a pocket. Manny walks up to her.

“I loved that story. Funny and smart. That was so Matilde,” Manny says.

“We’re both more comfortable with mathematics.”

“I found a dead dog on my route yesterday.”

“Monica told me you’re a garbageman.”

“Someone threw away their dead dog.”

“Poor thing. Some people are disgusting.” Manny and Alice walk over to his motorcycle, a Suzuki Hayabusa in the parking lot.

“I definitely seen another side of people.” Manny laughs at the sickness of it all. He’s got an honest, easy laugh that makes Alice feel better. “Have you seen seen my bike? I love motorcycles the way you and Matilde love numbers.” Manny gets on, but he’s so big the bike
now looks small.

“I like it. You know, my grandma had one,” Alice says. She laughs.

Manny laughs with her. “You need a ride home?”

“I’ve never ridden on a motorcycle.”

“Put your feet on these pedals and hold your arms around me tight.” Alice gets on, sits on the tiny bump of cushion called a seat, but doesn’t
touch Manny. “This is a fast bike. Hold on and don’t let go.” Alice puts on earbugs, pulls in a Skrillex song, loud, and puts on her helmet.

Manny taps her helmet to get her attention. “Give me the bud for your left ear.”

Alice looks at Manny blankly. Manny repeats himself. She takes out her left bud and Manny puts it in his right ear, forcing Alice to get up close to Manny. Manny starts the engine.

Alice puts her arms around Manny, holds him tight, and they take off with a roar.